I’ve blogged a lot about Kickstarter, from the Kickstarter we ran at Phoenix Online for Cognition, to my submission for a Kickstarter panel at PAX East, to the incredible ride that was the Double Fine Kickstarter, the one that changed everything. I’ve overall found Kickstarter to be a fantastic thing, a great way for independent, creative projects to get their start, to get support, to make things happen for people & groups who otherwise might not be able to pursue these projects.
Which is why the Penny Arcade Kickstart to remove ads from their site pisses me right the hell off. Read more
Last night, Brandon and I happened to catch an episode of the new TBS sitcom called “Men at Work.” You may recognize the name from the absolutely relentness plugging that’s been going on for the show. It wasn’t a show we
sought out, but it came on after a repeat of The Office, so we sat through it.
And ugh. This piece of crap cannot be cancelled fast enough. Cliched writing, characters, stock jokes, and plots. Ripping off better shows. The only reason anyone is saying this is the guy’s version of Sex and the City HAS to be because that’s something the marketing for this show came up with, because it’s nothing like that at all, apart from having four male characters in one show. Read more
Everything you’ve seen on TV about getting into college in the US is pretty much completely and utterly FALSE. In a variety of ways, so let’s break this down. The latest offender is, of course, Glee. But I promise I’ll pick on Gossip Girl, too, this time!
The Long and Fairly Specific Process
In the US, there’s a pretty standard system for how the college application process works. You spend the latter portion of your junior year researching and checking out schools, as well as the following summer and some of the fall of your senior year. Most applications must be submitted by January 1st (with some early admission deadlines around early to mid-November). Some school with rolling admission may take applications into March. You will hear back on whether or not you’ve been accepted between April 1st and April 15th, and you are expected to respond by May 1st as to whether or not you will be enrolling at the places you have been accepted. Read more
Part of my new attempt at a schedule, I’m going to aim to talk about a TV trope on Thursdays. I say “TV” because it’s largely inspired by the website TV Tropes, but these might come from books, movie, TV, games, any media or entertainment for mass consumption there is, really. Plus, Thursday Tropes has some nice alliteration to it.
I know, I know, today’s Friday, deal with it. I’m just getting this thing started! (Glee and The Killing spoilers ahead.)
Me: *bitch bitch rant rant*
Brandon: “We hate this show now, don’t we?”
Me: “Yep, pretty much.”
Brandon: “We’re still gonna watch it though, right?”
Me: “At least until the end of the season.”
In its tradition of bringing public attention to tense matters facing high school students today, Glee explored a new dark side of teen bullying and homophobia: teen suicide as a result of bullying for one’s non-heterosexuality.
A long time ago on a blog far, far away — or, in May of 2009 on my previous (and short-lived) blog Jump the Snark, I blogged about the pilot of Glee*. Such promise, such fun, such a great pilot that looked like it couldn’t possibly stand a chance because it was all about the outcasts and losers and they were singing.
Nearly three years later, here we are, and Glee is so damn popular it’s finally inspired another musical show, Smash. (I’ve got this pilot recorded, but haven’t yet watched it, so I can’t and won’t yet comment on what I think of it.) Beyond all expectation, Glee not only survived, it thrived! So I should be rejoicing, right? The Have Nots finally Have! Except that in the process, Glee has become just plain awful.
The things that are wrong with the show have been described at length in a number of places around the internet and in news media in general. And I agree with just about all of them. At its root, to my eyes and ears, the problem is this: the show lost its heart, forgot what it was about, and overwhelmingly assumes and expects its audience to be resoundingly stupid. Characters and plots alike have no consistency, and both jump out at opposing and unbelievable extremes. And while both have moments of brilliance, they far too often fall into mockable parody and unfulfilled potential.
Let’s take Quinn. In the pilot episode, she was head cheerleader, most popular girl, and broke stereotypes by choosing to be chaste, breaking off make-out sessions with Finn to pray. An interesting twist, though one soon abandoned when we learn the good Christian Cheerleader slept with her boyfriend’s best friend and got pregnant. Quinn’s pregnancy, I would argue, is one of the more interesting plotlines in Season 1, and we see the girl at the top of the world fall to the very bottom, and make the brave (and often unexplored on TV) choice to give her baby up for adoption. Her relationships with everyone in her life are affected — her parents kick her out, Finn dumps her, Puck matures (to a degree), Mercedes becomes a good friend, Sue
Sylvester kicks her off the squad, Quinn finds friendship, support, and comfort from the Glee kids, even using the vestiges of her power to help them out more than once. Then in Season 2…just about all of that may as well have never happened. She’s shallow, she’s still a cheater, she has no discernible relationship with Mercedes at all. The girl she asked to be present for her ordeal of childbirth, the girl who invited her into her home, and they have zero conversations! Rather than maintaining Quinn’s maturation, or intentionally contrasting it’s absence with her obsession at reclaiming her former glory, she’s just another inconsistent character whose extremes continue to make no sense in Season 3, where yet more interesting ideas are wasted on her by having her slate cleaned in the end once again.
Rachel and Finn are a ridiculous and pointless on-and-off couple, similarly never showing they can stick to personal goals for more than a few episodes (Rachel’s Season 2 pledge to herself to focus on becoming a star rather than on getting Finn back is abandoned almost as soon as she finishes singing “Firework”). Will Schuester is likewise flung far and wide and irritatingly so by the whims of each week’s plot. Santana, Brittany, and Kurt show some possibly the most promise on their respective journeys as lesbian, bisexual, and gay male, and have rightly gotten the show a lot of attention for their stories. These are often well-done, if not perfect (but then, characters really should have flaws and theirs are at least mostly consistent) (mean-spirited cruelty, stupidity, and self-righteousness, respectively). But the biggest problem character, in my opinion, is Sue Sylvester.
Sue was a great villain in Season 1. Outlandish villainy and great one-liner insults played straight-faced by a woman intensely focused on herself and success at what she did. A single soft spot, her sister who has Down syndrome, humanizes her and introduces her second soft spot, a student named Becky who likewise has DS and becomes her…well, lead minion, really. (And actually I find her relationship with Becky to continue to be interesting and hilarious: Becky’s actress is great, their Dr. Evil and No. 2-esque pairing is really amusing, and it’s an interesting and rather bold choice to have a character with DS not be a good guy. Becky’s vicious! And connected!) In the finale, we see another secret weakness in Sue’s armor — it’s okay for her to beat up on Glee, but when other people threaten her school? Hell, no! Those are HER victims, dammit. She votes for them at regionals, and when they don’t place, she arranges to have the club kept around anyways, because what’s the good of being a villain if you’ve got no nemesis?
After that, it’s all downhill. Sue becomes an abusive bully who should’ve been fired a hundred times over for her inappropriate, physically threatening (not to mention emotionally abusing) behavior towards students, coworkers, and superiors alike. She has physically assaulted students on her and with items that could be classified as weapons. And her ‘ridiculous’ plotlines have only gotten worse as well — marrying herself? Really? Season 3 has only made it worse, most recently, in the episode “The Spanish Teacher,” when she had a talk with teenaged male high school students about donating
sperm because she was seeking to be artificially inseminated. And when her inappropriate behavior is later brought up by the guidance counselor Emma? It’s only about that she said the same to Will, to whom Emma is now engaged! Why hasn’t this woman been fired several times over?! And arrested, for that matter. It’s been proven as well by that same episode that she doesn’t have tenure, her lame blackmail on Figgins has been a dead-in-the-water plot since sometime in Season 2 at the latest. Why is a show that has done some ground-breaking and wonderful anti-bullying storylines completely ignoring the biggest bully character in their cast?
Also? The songs are over-autotuned! These kids have talent, let them show it already!
I may finish out this season, but at this point I’m not sure if I’ll bother coming back to it next year. They lost the heart that gave them such promise back in Episode 1. Their cover of Don’t Stop Believin’ was and still is great, and the moment it created in the pilot episode was fantastic. It’ll always take me back. But the show has lost that direction and that core in a shower of ridiculous glitter-bombed extremes.
And that’s my rant, on Glee!
*Comments are now disabled there, and there’s no sense in following it as I don’t post there anymore. So, comment here and follow this blog, if you are inclined towards either.
I haven’t been watching since the 5th episode–I just couldn’t, it was just too boringly awful–but I would like to take a moment to say that when I called Skye out as most likely to be the traitor in the Pilot?